semiotic_pirate: (boat on land)
The following flash fiction piece was inspired by the events in and around Paris this past week. I wanted to think of a way that it might come up in a history book in the far future. Although the events themselves turned out to be an unshown footnote reference in something that might be taken for Asimov's Encyclopedia Galactica, I felt it important to note here the inspiration for the piece (if it wasn't obvious, and for posterity.) Note that the description about the Satirical Mode was inspired by a comment made by [livejournal.com profile] bart_calendar in a post by [livejournal.com profile] theferrett.

The Offerings )

Carpe diem; uti verba ad succedunt. Historiae
Excerpt Requested: Book 543,625,559; Page 39,944; Section 432.59-432.60

The Advocates were known to employ their phalanxes in the creation of words and pictures, using the graphite and ink bound tools of their forebears as well as the ASCII encoded characters of their peers. Their words were organized and led by pilcrows, set to act against the walls of arrogance and in the service of their clients, the downtrodden.

Pictures used by The Advocates acted to interosculate people with the concepts described in the aforementioned words. Depending upon the assigned methodology, these pictures could cause high levels of emotional distress and were able to cause extreme reactions in certain populations. One of the most potent types of interosculators were made us of in the Satirical Mode. The effectiveness of the Satirical Mode, whose main function was to create images and content that is so offensive that it forced a dialogue about serious issues that were often swept under the nanoplating, was thought to be well worth the risk of any potential threat posed by these reactions.
semiotic_pirate: (Juicy Oranges)
When recently reading through my prior flash fiction and short story writings I felt a little bit of inspiration to try my hand at it again. I'm not sure what will come of today's offerings because I was better at blocking out the budding story forming in my mind this time through. Let's see what happens, shall we?

The Offerings )

The Most Honorable Zalaznichkiv

Zalaznichkiv was ignorant of the specific rules of public broadcasts, only having recently risen to the rank of Urbanet in the surrounding collectivist region. The most current molt had revealed the required purple scales along the anodyne extrusion ports. It was the inevitable result that the citizen's affectation would gather unwanted, intermittent attention.

For one thing, the citizen has no flair for the tangential modes of the emissivity-based communication favored with the newsbot drones and flitters that were constantly traveling in orbit around Zal's sphere of influence, with random spot checks done via parallel movement and the unexpected, perpendicular zoom-in when transverse to the prized line-of-sight selfie-shot angle. Zal had a way of choosing to stay focused on subjects, as well as on objects, akin to the much fabled bulldog, not letting go until every juicy ounce of factual data had been squeezed from the quantum state at hand.

Even the Crystalline Claque that had followed Zal's movements since the day the citizen was decanted from the bioegg gestation creche were confused as to when or whether they should show their support, act to gently intercede, or descend in a flock upon the naysayin disgruntlers that reared up and jibed fondly over Zal's inability to rapidly fritter through the multitude of quanta scattered across the citizens' field of motion.

The newest Urbanet in the universe was finally confronted as to whether even the basic notion that there existed the ability to focus one's attention should be seen as sacriligious by the Key Elements. How could such a basic act of factitious engineering go so wrong? What would happen to society if any citizen started focusing on single events, subjects, or objects willy-nilly? It might even initiate a verschränkung superposition resolution and run the chance of the entire Crendipinous Jumpire collapsing into a random collection of planet-bound, talentless schlubs, scattered across the multiverse, locking the lot of them into a linear existence.
semiotic_pirate: (eyeball)
Below is the series of posts that I made - after going through the trouble of figuring out how to move my entire journal over - when I was in a really good writing groove. As I mentioned in the post just prior to this one, I've decided to stick with LJ. The devil I know, eh? I'll likely do regular back-up transfers over to the other blog, just in case, but do the original postings here.

As you can see from some of the timestamps I include in the Post Date titles, I was working a long day, then coming home and (after beginning each story in the evening) I would find myself unable to go to rest and sleep until I had purged my mind of the story that had been bubbling in my subconscious all day. Further, I would gather my "offerings" in the morning, upon first arriving at work, because the tabs in my browser would open to my Word of the Day (WOTD) websites.

I welcome any constructive criticism on my writing, both that contained in this post, and anything else you have access in my blog. Though I admit most of my posts prior to 2009 are of the more usual journal fare. Of course, my memory might be faulty. You'll only know if you go wandering through and do some background reading. Don't mind the large section that's been time-locked until I've come to terms with the experiences the posts describe.

You might want to keep this post handy and read each of the below micro stories on their own, over a number of days. Or when you're going to be doing a variety of chores about the home, where every time you take a break you read a story nibble. What I'm trying to get at is - there's A LOT of writing below the cut. The beginning of each post is delineated with a blue title, followed by anything that appeared in the post - the only changes I've made are to some of the visual editor elements in order to make the text more easily read by giving it a consistent style.

Okay then. Enough with the preamble. It was starting to feel like an Evil Scientist Monologue.
Grab your popcorn mateys, it's showtime! )

All caught up now. Woooooooooo!

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